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Showing posts with label Austin Scarlett. Show all posts
Showing posts with label Austin Scarlett. Show all posts

Thursday, September 6, 2007

Tim Gunn's Guide To Style Premiere Party



Darlings, we had an opportunity to attend the launch party for Tim's new show at the SoHo Grand last night, but since we're still unpacking (and hanging mirrors and painting trim and debating furniture arrangements and wondering why we have so many baskets and so on) we regretfully had to decline. But fret not, for we had a certain someone on the inside do our dirty work for us and they sent us these pics for your enjoyment.


The man of the hour.


Our spy tells us that Tim spent over an hour talking to the press.


Tim getting his groove on to Natasha Bedingfield.


The Bravo Posse, representing.


Marsha Tonkins, Tim's assistant. She's worked with Tim Gunn for 12 years, following him to Liz Claiborne from Parson's.


Tim with professional starfucker, Michael Musto.


Tim Gunn's biggest fan, CEO of Liz Claiborne, Bill McComb.
Tim: "Bill is a genius and a visionary."


Laura Bennett and Emmett McCarthy give Tim a group hug.


Kara Janx with husband Red and "Bump."


Jeffrey looks good. Our spy tells us that he did NOT throw a drink in Laura's face or get in a hair-pulling match with her, but we'll let you in on any further details as they become available.


You gotta give Project Runway props for one thing: they did manage to find and spotlight some truly unique characters.

(Photos: ProjectRungay)

UPDATE:



The Dish has more Tim Gunn party photos.

Monday, August 6, 2007

Starting Your Week with Delicious Dish.



New York Magazine has an eye-opening article about what happens to Bravo reality show contestants after their 15 minutes are up. We were really happy to read this because it contains stuff that we'd been hearing for a while but didn't have the right to publish ourselves. Bravo doesn't come off that great here and Heidi has a real bitchquote at the end.

Some choice bits (but you really need to read the whole thing):

Jay:
“I haven’t been living anywhere for two years,” he says. “I sleep at other people’s houses. I sleep here if I’m drunk.”

“I have a fucking gazillion e-mails from all over the world from people asking, Why isn’t your stuff out there?” says Jay. “Yet financially, I have no way to get them a product because I got pushed out of a boat and into the ocean, as if, Oh, you can survive now.”

(Photo: Jessica Wynne)

Andrae:
"Today, he still sews the odd custom dress for $1,500, and he teaches too, but he makes a fair chunk of his money doing gigs that exploit his reality-show fame, like hosting events at gay bars in Pittsburgh. He knows this won’t last. “I tell everyone I’m not a star,” he says. “I’m a brown dwarf.”

Austin:
"Austin Scarlett, the young Quentin Crisp from the first season of Project Runway, says he was approached about a role on Heather Graham’s short-lived sitcom, Emily’s Reasons Why Not. Today he wonders if he should have mulled it over. “Because I don’t think you should turn down work that much,” he says. “That’s one of my continuing struggles, being considered a reality-TV, you know, star.” I ask if he’s ever done TV gigs he’s come to regret. “Yeeeeeeeees,” he says. “Battle of the Network Reality Stars.” Shortly afterward, he appeared on a reality reunion show on Bravo, too. “I felt so cheap and tawdry,” he says. “They gave me $500, and I was like, Keep the money. It was just part of my confusion, grasping for the next thing.”

Nick:
“When they asked me why I wanted to be on Project Runway,” says Nick Verreos, 40, who made the fetching Barbie dress from Season Two (it sold for $1,700 on projectrunway.com), “I said I wanted to use it as a trampoline. Because I knew I was doing fierce stuff, but nobody was noticing.”

Santino:
“No one wanted to interview Chloe,” Santino says. “I’m sure I did like 500 percent more interviews. That’s what I won.”

"I crack myself up by saying, It’s lucky that I turn things down so that Nick has stuff to do,” says Santino."

“Between Heidi and Michael Kors and Nina Garcia, the judges were like a three-headed monster,” he says. “They all basically have the same point of view. I mean, have one avant-garde person who has an art-as-fashion approach, rather than fashion-as-commerce approach.” Then, of course, he made an almost perversely beautiful collection for Fashion Week, and the judges said there wasn’t enough of him in it. “And it’s like, Really?” he asks. “Gee, that’s funny, because I made this shit!”

Laura:
"When Laura, hugely popular with fans, failed to notify the network she’d signed a contract to host a style show on MSN.com, they called and demanded an explanation. “And I said, ‘So what do you have to offer me?’ ” she says. (She’s now in talks with Bravo about doing something for its Website and iVillage.)"

UPDATE: "Is Jay McCarroll Homeless? He Sure Said So (and So Did His Publicist)." Read it here.


Tuesday, January 30, 2007

Austin's Runway Collection


Some of you have been asking to see Austin's decoy runway collection and we managed to track down the pictures. A very reliable source confirmed for us a story we'd heard a couple times before: Austin did not know he would be showing at Fashion Week until several months after the final 3 had started their collections. Not only did he not have as much time to pull a collection together as the others, he didn't have as large a budget. We also heard he was none too happy about it.

Because of that and because you really can't judge a runway collection properly without actually seeing it walk down a runway, we don't really think it's fair for us to sit here and judge him with bitchy comments, so we're just going to offer the pictures without comment as a way to close out the season. To us, this isn't really Austin. This is just something he threw together to please the producers. We like some of it. The Revolutionary War-inspired stuff is a little gimmicky but it kindasorta works. We don't really like all the scalloped edges and that red gown is a travesty, but some of the pieces are quite nice and they all have hints of that patented Scarlett sense of drama.








































And with that, our exhaustive coverage of Season 1 comes to an end. We're going to take a week off to get our Top Design blog up to speed and devote a little time to our poor little redheaded stepchild, Tom & Lorenzo. Be back here on Thursday, February 8th when the bitchery starts all over again as we rip into Season 2.

Loveya, kittens!


[Photos: FirstView/Getty Images]


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Tuesday, January 16, 2007

Ladies and Gentlemen, Bravo is once again proud to present...


MRS.


PAT.


NIXON.

And Austin continues with his ongoing salute to former First Ladies. One of the many reasons it's a tragedy that he didn't make it to the final 3 is that he almost definitely would have unveiled his "Jackie" for Bryant Park and kittens, the thought of Austin Scarlett with an adorable bob in a pink Chanel suit and pillbox hat walking down the runway to introduce his collection is almost too precious to consider. We weep for the world's loss.

Wednesday, January 10, 2007

High School Confidential

"Wendy has cooties! Meet me behind the bleachers after 8th period!"


That about sums up the level of conflict this week.

The drama of FabricGate. You know what? We love Kara Saun but she really needed to get over herself here. Nancy O'Dell walks in wearing an orange top and two of the designers decide to go with an orange dress. End of story. Wendy didn't steal your idea, girl. You both took the easiest route but you decided that you were being original and Wendy wasn't.

Did Wendy deliberately "steal" her fabric? We don't know. It's never shown on camera. But when two people walk into a fabric store and head straight to the orange section, chances are they're both going to be looking at some of the same bolts.

Clearly, we're not fans of Wendy, but for once, we were on her side. The workroom resembled nothing more than a high school cafeteria, with all the kewl kids deciding to ignore dirty girl to see if they could make her cry.


"Wendy steals and she's a bitch. Pass it on."


"Jay, Kara Saun said Wendy feels an itch. Pass it on."


"Wendy peels the rich? What does that mean? Who am I supposed to pass it on to? My dress form?"


"I'm standing right here, you morons."

As we said earlier, Kara Saun's anger with Wendy (which was justified, although not for any fabric-stealing) turned her into the head of the cheerleading squad and threw her off her game. It's nice to be self-confident, but she allowed it to trip her up this week.

We can't help thinking that the whole "helping Jay out" bit was less about helping Jay out and more about saying to Wendy "See? I help my FRIENDS, which you are NOT ONE. If you weren't such a BAD PERSON maybe I would be helping you too but I'm NOT."


"Because then I would have to talk to her and I WON'T because she's awful and she's fat and no one likes her."

Look, it's not like we've suddenly discovered a soft spot for Wendy. She earned her reputation. It's just that the remaining designers strutted around so entitled, so nose-in-the-air that we automatically took her side on this one. Especially since for the most part she conducted herself well in the midst of all that adolescent drama.

Sure, we were appalled that she made it into the final 3, but we have to admit, that backroom tension was hilarious.

"I cannot help it. I really enjoy seeing people squirm who have made my life difficult. Sorry! I was eating it up. I could stay there forever."

That's the part about Wendy that we kindasorta admire. Her defiance. Sure, she's untalented, backstabbing, manipulative, and emotionally unstable, but ...

Okay, we can't come up with an ending to that sentence.


[Screencaps: projectrungay.blogspot.com]



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Friday, January 5, 2007

*snf* Auf Wiedersehen, Princess Austin

Before we get into it, let us just pay pictorial homage to the fabulous, otherworldly creature we lost this week:


"I would just love to sort of set an example to any dreamer, maybe not the most popular kid in school or just anyone who's different but who has a dream to always stick to that dream."

"No matter how many times people tell you to walk a certain way or to talk a certain way, act a certain way, dress a certain way, design a certain way... You can't listen to that. You have to be true to yourself. No matter what."

Brava, Princess SissyFag. Bra. Va.

Having said that...

This dress was unfortunately not very good.


You can't let the fabric dictate the design totally, beautiful though it may be. Otherwise, the fabric is doing all the work. It appears that he was so in love with the way it drapes (and it drapes beautifully) that it wound up looking like nothing more than something pinned to a dress form.


In our memory, we may have elevated this dress to heights it never reached, because looking at it again, we're noticing for the first time that there's not much "there" there.


Knowing what we know about Martinique's body, look at how thick her torso looks in this dress. Taking a light, flowy, airy fabric and twisting and layering it to such an extent that it looks heavy and bulky just isn't a good idea. Let's not even get into how sloppy it looks.


It's funny. Looking at S1 with a more critical eye than we have in the past, Austin's output for the competition wasn't nearly as good as we remembered. Hand him something that fits within his design philosophy, and he produces some great work (Banana Republic, Sarah Hudson, the bathing suit, even the cornhusk dress), but give him something that challenges him and he crumbles (the 2055 challenge, the postal uniform challenge).

As easy as it is to blame it all on Nancy O'Dell, the fact of the matter is, all of the designers dropped the ball this week. If there had been more competitive work from Jay or Kara Saun, or less competitive work from Wendy, things would have turned out differently. Yes, it might have seemed more "fair" for Austin to be in the final 3, but they would have had to auf someone for no other reason than to keep Austin in and that would have been even less fair than the outcome we got. Yes, Wendy's dress was pretty unremarkable and tacky, but it was more wearable and more in line with the client's dictates than this dress - than ANY of the other dresses, in fact.

Austin is a good designer. His post-show career is among one of the best of all PR alums. It's just that he's not a very good reality show contestant. More than anything, it was his highly distinct personal style that kept him afloat in front of the judges for so long.


"Hey, Austin, will you design my dress for the Oscars?"


"I'd love to, Nancy.

Just as soon as hell freezes over and your implants crack and fall off, you tacky bitch."


Don't we all climb up on a table to take off our shoes?

"I don't think anyone of you are hearing the last of Austin Scarlett yet."

And he was right. Good luck to you, you gorgeous creature. We miss you already.


[Screencaps: projectrungay.blogspot.com]


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